ABOUT
I make one-of-a-kind ceramic pieces that sit at the intersection of contemporary life and historical tradition. Each one is a narrative, borrowing the forms and language of the past to reflect the present — and inviting you to notice how much of then is still with us now.
The work is slow by design
Its detail asks you to slow down too: to pick a piece up, turn it over, and read the stories worked into its surface. In a world saturated with the digital, clay offers something older and more grounding. It lasts, and that permanence turns an object into a storyteller — one that holds the human experience with humor, absurdity, and sincerity all at once.
I came to clay after more than twenty years as a designer in film, building worlds for productions from Once Upon a Time in Hollywood to The Batman. That way of working never left me: I still approach each piece as its own small production, with a cast, a plot, and a point of view. I trained at Chelsea College of Arts, worked for two decades as a graphic designer and illustrator, and now live and make my work in Los Angeles — a city whose energy and collisions keep finding their way into the clay.
